Sónia Sultuane’s place on modern mozambican poetry. Imaginar o poetizado: a written in the feminine

Authors

  • Renata Quintella Oliveira UFRJ

Keywords:

Mozambican poetry. Language and eroticism. Female authorship.

Abstract

We selected for this work the book Imaginar o poetizado, published in 2006, choosing the feminine theme as the guideline. We approached this issue regarding to the treatment given in Sonia Sultuane’s poems through obsessive exploration of the body, eroticism and sensuality. We also made a brief comparison with other female voices from Mozambican literature as Noêmia de Sousa, Glória de Sant'Anna and Tânia Tomé, trying to establish links between the writing of these writers, when possible. Besides, we considered the breadth of Sónia Sultuane’s artistic production, who not only wrote poetic works, but also produced and exhibited fine arts. We settled, in this sense, a dialogue between the different languages of Sónia’s artistic work, comparing the textual metaphors to the imagery metaphors that are present in the work of the writer and the artist.

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Author Biography

Renata Quintella Oliveira, UFRJ

Departamento de Letras Vernáculas. Faculdade de Letras. UFRJ. Doutorado em andamento em Literatura Portuguesa. Faculdade de Letras. UFRJ.

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Published

2014-09-10

How to Cite

Oliveira, R. Q. (2014). Sónia Sultuane’s place on modern mozambican poetry. Imaginar o poetizado: a written in the feminine. ARREDIA, 3(4), 51–68. Retrieved from https://ojs.ufgd.edu.br/arredia/article/view/3266

Issue

Vol. 3 No. 4 (2014)

Section

Artigos

License

Copyright (c) 2014 Renata Quintella Oliveira

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