Bring in the ballerinas – a multimodal analysis based on the Actor-Network Theory

Authors

  • Luiz Antônio Caldeira Andrade UNIVERSIDADE FEDERAL DE MINAS GERAIS - DOUTORADO CONCLUIDO
  • Sônia Maria de Oliveira Pimenta Universidade Federal de Minas Gerais - prof. associada

DOI:

https://doi.org/10.30612/raido.v12i31.8128

Keywords:

Actor-Network Theory (ANT). Identity construction. Self. Multimodality.

Abstract

The aim of this article is to investigate how the physical and non-physical elements in Zach Gross’s short video of two ballerinas at the Metropolitan Opera House performing a scene of Onegin, a Tchaikovsky’s opera based on Pushkin’s classical literary work, contribute to represent the main female character – Tatyana – around which the story takes place. The study is theoretically and methodologically built on the actor-network theory (ANT) and multimodal analysis as defined in Banks (2015). The main point was to show how the networking of human and non-human objects, including the body itself, takes place across physical and virtual spaces in the expression of the self.

Downloads

Download data is not yet available.

Author Biographies

Luiz Antônio Caldeira Andrade, UNIVERSIDADE FEDERAL DE MINAS GERAIS - DOUTORADO CONCLUIDO

Doutorado concluido no ano de 2015. Atuo como professor de ingles e linguistica no setor privado, estando vinculado à UFMG através da prof. Dra. Sonia Maria de Oliveira Pimenta.

Sônia Maria de Oliveira Pimenta, Universidade Federal de Minas Gerais - prof. associada

Possui graduação em Linguistica e Frances pela Universidade de Georgetown (1975), mestrado em Estudos Lingüísticos pela Universidade Federal de Minas Gerais (1987) e doutorado em Lingüística Aplicada e Estudos da Linguagem pela Pontifícia Universidade Católica de São Paulo (1998). Atualmente é professor associado da Universidade Federal de Minas Gerais. Tem experiência na área de Lingüística, com ênfase em Lingua Estrangeira, atuando principalmente nos seguintes temas: multimodalidade, semiótica social, gramática sistêmico- funcional,avaliatividade, análise do discurso e gênero,semiótica social. Pós-doutorado em multimodalidade pela UFSC.

 

 

 

 

 

 

 

 

 

 

 

 

References

ACOCELLA, J. Bring in the Ballerinas. Accessible at https://www.newyorker.com/magazine/2012/06/25/bring-in-the-ballerinas, retrieved in Nov. 2017.

BAHKTIN, M. Estética da Criação Verbal. São Paulo: Martins Fontes, 1997.

BANKS, J. Multimodal, multiplex, multispatial: A network model of the self. New Media & Psychology, v. 19 n. 3, p.1-20, October 2015.

CASTELLS, M. O Poder da Identidade. São Paulo: Ed. Paz e Terra S/A, 2008.

GERGEN, K.J. Social Construction and the Transformation of Identity Politics. Available at https://www.swarthmore.edu/sites/default/files/assets/documents/ Retrieved on 08 May 2017.

GERGEN, K.J.Social%20Construction_and_the_Transformation.pdf, 1999, Acesso em 08 May 2017.

GERGEN, K.J. The Saturated Self: Dilemmas of Identity in Contemporary Life. USA: Basic Books, 2000.

GIDDENS, A Modernity and Self-Identity: Self and Society in the Late Modern Age. Stanford, Ca.: Stanford University Press, 1991.

GROSS, Z. Bring in the Ballerinas (video). Accessible at https://thescene.com/watch/thenewyorker/bring-in-the-ballerinas, . Retrieved in Nov. 2017.

GUBRIUM, J.F.; HOLSTEIN J.A. Grounding the postmodern self. The Sociological Quarterly 35(4): p. 385–703, 1994.

HAESBAERT, R. Fim dos terrritórios ou novas territorialidades? IN: MOITA LOPES, L.P; BASTOS, L C (orgs.) Identidades: Recortes Multi e Interdiscipinares. São Paulo: Mercado das Letras, 2002.

KISSELGOFF, A. Dance Review: An American Flourish to Stuttgart’s Signature. Available at http://www.nytimes.com/2001/06/04/arts/dance-review-an-american-flourish-to-stuttgart-s-signature.html Retrieved on 7 December 2017.

LATOUR B. Reassembling the Social: An Introduction to Actor-Network Theory. New York: Oxford University Press, 2005.

LEARY, M.R. Motivational and Emotional Aspects of the Self. Annual Review of Psychology n.58, p. 317-344, March, 2007.

LEMOS, A. Espaço, mídia locativa e teoria ator-rede. Galáxia, n.25, p.52-65, June 2013.

LÉVI-STRAUSS, C. The Savage Mind. Chicago, IL.: University of Chicago Press, 1966.

LYOTARD, J-F. The Postmodern Condition: A Report on Knowledge (trans. G Bennington and B Massumi). Minneapolis, MN: University of Minnesota Press, 1984.

LӦW, M. The Constitution of Space – The Structuration of Spaces Through the Simultaneity of Effect and Perception. European Journal of Social Theory 11(1), p.25-49. August, 2008.

MEAD, G.H. Mind, Self, and Society. Chicago, IL: University Of Chicago Press, 1934.

OYSERMAN, D.; ELMORE, K.; SMITH, G. Self, Self-Concept and Identity. In: Leary MR and Tangney JP (eds) Handbook of Self and Identity. New York: Guilford Press, p. 3–14, 2012.

PAPACHARISSI, Z. Conclusion: A networked self. In Papacharissi, Z. (ed.) A Networked Self: Identity, Community, and Culture on Social Network Sites. New York, NY: Routledge, p. 304–318, 2011.

PESSOA, F. 35 Sonnets IN: De Sena, J.; MONTEIRO, A.C.; De PORTUGAL, J.B. Poemas Ingleses. Lisboa. Atica, 1974.

RIBEIRO, J.C. The increase of the experiences of the self through the practice of multiple virtual identities. PsychNology Journal, v.7 n.3, p.291–302, 2009.

TURKLE, S. Life on the Screen: Identity in the Age of the Internet. New York:Simon & Schuster, 1995.

TVERITINA, A.The Metropolitan Opera spreads Pushkin and Tchaikovsky around the World. Available at https://www.rbth.com/literature/2013/09/21/ the_metropolitan_opera_spreads_pushkin_and_tchaikovsky_around_the_world_30021.html. Retrieved on 7 December 2017.

WIKIVERSITY. Eugene Onegin. Accessible at: https://en.wikiversity.org/w/index.php?title=Eugene_Onegin&oldid=1125138. Retrieved on 4 Dec 2017

Downloads

Published

2018-12-12

How to Cite

Andrade, L. A. C., & Pimenta, S. M. de O. (2018). Bring in the ballerinas – a multimodal analysis based on the Actor-Network Theory. Raído, 12(31), 196–214. https://doi.org/10.30612/raido.v12i31.8128

Issue

Section

CALEIDOSCORPO: AS LUMINOSIDADES QUE TRANSVÊEM O CORPO