Forensic architecture and the Ayotzinapa case: an investigative aesthetics from the readings of Zaffaroni and Didi-Huberman
DOI:
https://doi.org/10.30612/videre.v12i24.11506Keywords:
Forensic Architecture. Ayotzinapa. Cautionary Criminology. Zaffaroni, Didi-Huberman.Abstract
Taking the Forensic Architecture – for an investigative aesthetic exhibition as an artistic reference, held at the University Museum of Contemporary Art (MUAC) of the Universidad Nacional Autónoma de México (UNAM) in 2017, this article discusses the implications of these imaging and investigative studies for the field of criminology. It is a study of qualitative approach, bibliographic review and content and image analysis that aims to reflect on emerging social issues such as public violence and state violence, shedding light on theoretical aspects in a transdisciplinary way. From the need to listen to the words of the dead, a concept used by Zaffaroni (2012) and the emergence of Didi-Huberman's studies (2004), especially the one dedicated to analyze the photos (images) and the memories of the Holocaust, this study focuses on thinking about multiple paths and possibilities, in order to understand the days of september 2014, in which students from the Ayotzinapa Rural Normal School were attacked by the local police in collusion with criminal organizations, leaving six (06) people dead, forty (40) injured and forty-three (43) missing students. Thus, this writing seeks to articulate the investigative work of Forensic Architecture within the Criminology Cautelar (ZAFFARONI, 2012) seeking to offer elements to reflect on the interfaces between the fields of criminology, criminal investigation, the arts and visual and imagery studies.Downloads
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