MEMORIES AND NOTES ON CRIES AND STREET SELLERS
DOI:
https://doi.org/10.30612/rehr.v15i29.10559Keywords:
Cultural object, Street cries, Street sellersAbstract
The small merchant explores many resources to sell a product, such as auction chants, body language, elements of parody, oral poetry, rhythmic songs and chants, verbal artistry, voice intonation and stylized language. The aim of the presente study is to comment depictions of street sellers, their chants and street cries as cultural objects in memorialistic writings. Considering this purpose, in this article the concept of cultural object is employed by comparison with the idea of “sites of memory”, term coined by Pierre Nora (1989) and the anthropological notion of “trace” developed by Jean-Yves Boursier (2002). The analysis shows that historical, literary and memorialistic accounts register the image of street sellers and street cries, emphasising its mnemonics, picturesque and social aspects.Downloads
References
AMERICANO, Jorge. São Paulo naquele tempo (1895-19015). São Paulo: Carrenho, 2004.
BOSI, Ecléa. Memória e sociedade: lembranças de velhos. São Paulo: Companhia das Letras, 1995.
BOUSIER, Jean-Yves. La mémoire comme trace des possibles. Socio-anthropologie, Paris, v.12, 2002. Disponível em: https://journals.openedition.org/socio-anthropologie/145. Acesso em: 05/02/2019.
COHEN. Paul. History and Popular Memory: The Power of History in Moments of Crisis. New York: Columbia University Press, 2014.
DEBRET, Jean Baptiste. Viagem pitoresca e histórica ao Brasil (1816-1831). Tradução e notas de Sérgio Milliet. 3ª Ed. São Paulo: Livraria Martins, 1954.
DIET, Emmanuel. L’óbjet culturel et ses fonctions médiatrices. Connexions, Paris, n. 93, p. 39-60, 2010. Disponível em: https://www.cairn.info/article.php?ID_ARTICLE=CNX_093_0039#. Acesso em: 05/02/2019.
FREYRE, G. Sobrados e Mucambos. Rio de Janeiro: Record, 1996.
GARCIA, Walter. A permanência do pregão de rua. In: ______. Melancolias, Mercadorias. Cotia, São Paulo: Ateliê Editorial, 2013, p. 19-40.
GOSDEN, Chris; MARSHALL, Yvonne. The Cultural Biography of Objects. World Archeology, London, v. 31, n. 2, Oct. 1999, p. 169-178, 1999. Disponível em: https://www.jstor.org/stable/125055?seq=1#page_scan_tab_contents. Acesso em: 06/02/2019.
KARASCH, Mary C. Slave Life in Rio de Janeiro, 1808-1850. Princeton, New Jersey: Princeton University Press, 1987.
MAIOR, Mário Souto. Recife: a riqueza de seu folclore. Mario Souto Maior vida & obra, s/d. Disponível em: http://www.soutomaior.eti.br/index.php?option=com_content&view=article&id=53&Itemid=13. Acesso em: 08/10/2019.
NAVA, Pedro. Baú de ossos. Rio de Janeiro: Livraria José Olympio, 1974.
NAVA, Pedro. Balão cativo. Rio de Janeiro: Livraria José Olympio, 1977.
NORA, Pierre. Between Memory and History: Les Liéux de Mémoire. Representations, n. 26, 7-24, 1989. Disponível em: https://www.jstor.org/stable/2928520. Consultado em: 19 de janeiro de 2019.
PESSOA, Marlos de Barros. Formação de uma variedade urbana e semi-oralidade: o caso do Recife, Brasil. Tübingen: Max Niemeyer Verlag, 2003.
PINTO, Maria Inez Machado Borges. Cotidiano e sobrevivência: a vida do trabalhador pobre na cidade de São Paulo, 1890-1914. São Paulo: Edusp, 1994.
PRAGANA, Maria Elisa Collier. Pregões recifenses. In: MAIOR, Mário Souto. Antologia Pernambucana de Folclore. Vol. 2. Recife: Fundação Joaquim Nabuco, Editora Massangana, 1988, p. 125-130.
SOARES, Luiz Carlos. O “povo de cam” na capital do Brasil: a escravidão urbana no Rio de Janeiro do Século XIX. Rio de Janeiro: Faperj – 7 Letras, 2007.
WALTY, Ivete Lara Camargos. Jornaux de rue: espaces entrecroisés. In: GIN, Pascal; Moser, Walter (dir.). Mobilités culturelles: regards croisés Brésil/Canadá. Ottawa: Les Presses de l’université d’Ottawa, 2011, p. 79-100.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Maria Alice Ribeiro Gabriel

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in this journal accept the publication guidelines and agree to the following terms:
(a) The Editorial Board reserves the right to make changes to the originals in Portuguese to maintain the formal standard of the language, while respecting the authors' style.
(b) Authors retain copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional, which allows: Share — to copy and redistribute the material in any medium or format, and Adapt — to remix, transform, and create from the material. The Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional includes the following terms:
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You must do this in a reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- NonCommercial — You may not use the material for commercial purposes. ShareAlike — If you remix, transform, or create from the material, you must distribute your contributions under the same license as the original.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
(c) Authors are permitted and encouraged to publish and distribute their work online—in institutional repositories, personal pages, social networks, or other scientific dissemination sites, provided that the publication is not for commercial purposes.
