History of women in art: self-writing as a writing

Authors

  • Fernanda Reis Universidade Federal da Grande Dourados

DOI:

https://doi.org/10.30612/rehr.v12i23.7928

Keywords:

History. Art. Writing for you

Abstract

This article is part of the PhD thesis entitled Lídia Baís: Images of Female Transgression in History (1920-1940), still in the process of writing. The aim is to analyze, understand and problematize the process of silencing and hiding women in history, as well as in the plastic arts. Understanding what determines this female concealment in Western art is the primary concern of this study. In the second moment we intend to analyze the mechanisms of resistance and resignification of the woman being through the production of self-portraits. We understand that the production of self-portraits in the arts for women has a sense of resistance when they use it to resignify and rewrite their stories, as well as use it as a process of self-recognition. 

 

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Author Biography

Fernanda Reis, Universidade Federal da Grande Dourados

Graduada em História pela Universidade Federal de Mato Grosso do Sul, Mestra em História pela Universidade Federal da Grande Dourados, Doutoranda em História pela Universidade Federal da Grande Dourados. Membro do Laboratório de estudos de Genêro e História (LEGHI), vinculado à Cátedra Unesco.

References

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Published

01/10/2018

How to Cite

Reis, F. (2018). History of women in art: self-writing as a writing. Revista Eletrônica História Em Reflexão, 12(23), 101–221. https://doi.org/10.30612/rehr.v12i23.7928

Issue

Vol. 12 No. 23 (2018): DOSSIÊ: A HISTÓRIA DAS MULHERES E SUAS FRONTEIRAS

Section

Artigos do Dossiê

License

Copyright (c) 2018 Fernanda Reis

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