Entrelacements géographiques à la insurgence du lieu-ouvre
Textures et dynamiques aux Géographies Créatifs entre l’Instituto Inhotim et le Centre d’Arts et de Nature de Chaumont-sur-Loire
DOI:
https://doi.org/10.5418/ra2022.v18i36.15666Palabras clave:
Perception, Géopoétique, Encontre, Habiter, Art ContemporainResumen
Le dialogue entre l’art et Géographie Culturelle a fourni un contexte fertile pour une discussion sur les spatialités existentielles concernent à engagements corporels, sensoriels et affectifs. En ce contexte, on investigue comment les dynamiques corp-perceptives d’installations d’art contemporain actent comme lieux pour les sujets qui les immergent. Donc, on a réalisé une corrélation entre quatre œuvres, deux à l’Instituto Inhotim de Arte Contemporânea à Brumadinho/MG et deux au Centre d’Arts et Nature du Domaine de Chaumont-sur-Loire en France. Basée en les Géographies Créatifs et la phénoménologie existentialiste, on a procédé par analyses centrées en immersions corp-perceptives dans ces installations sélectionnées. Ainsi, on a fait des travails de terrain qui avait aussi résulté en poèmes et illustrations utilisé en cette essai. On a compris qui œuvres d’art, particulièrement des installations, non seulement sont dans une lieu, comme constituent des lieux elles-mêmes : lieux-œuvres. À l’interconnectivité sujets-lieu-œuvres, il y a une dynamique de sens qui explicitent des dimensions existentielles de la réalité géographique.
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